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Steph Fuller is a visual artist working on unceded Kaurna Land in South Australia.

Fuller's practice oscillates between longing and loss. Her work is primarily image-based, favouring dark pensive tones and intentional slippage between the macro and micro.

Her post-illness work sees a greater interest in bringing the image into sculptural contexts and working with found objects. A new scarcity of capacity brings restraint to her practice, but fuels a desire to occupy more space than before.

Born 1992
Adelaide, South Australia

Education

2014   Master of Visual Art, UniSA

2012   Bachelor of Visual Arts (Photography), UniSA

Solo Exhibitions

2022   Portraits of the Elderly, Yungondi Building, UniSA
2019   Proximal Orbitpraxis ARTSPACE

2018   Deep SpaceFELTspace

2017   Internal Botany, Flinders Medical Centre

2014   AwashFELTspace

Select Group Exhibitions

2023   DAWN, Dentons, SA

2021   Cosmic Analogues, Dirty Dozen, VIC

2021   approaching midnight, FELTspace

2020  S P A C E S, Adelaide Town Hall

2019   Already Home, Adelaide City Library

2018   Discontented Nature, Carclew

2018   Internal Botany, praxis ARTSPACE

2013   Adorned, Ladybeads

           The Tunnels, The Adina Hotel

           Feathers, FORMAT

2012   PULP, These Walls Don’t Lie Gallery

           A4 by Four by Four, The Reading Room

2011    Vintage, Red Poles

Residencies

2017   SALA Artist in Residence at Flinders Medical Centre supported by Arts in Health at FMC

Awards

2023  Finalist / Commendation - Prospect Portrait Prize

2023  Winner - Dawn Slade-Faull Award

2023  Finalist - Hospital Research Foundation Creative Health Art Prize 
2023  Category Winner - Adelaide Park Lands Art Prize (Photography)

2022  Shortlisted - Australian Photobook Awards (Open Pre-Press Digital Category) with The Edge of The Earth(unpublished)
2021   Finalist - National Photographic Portrait Prize - Living Memory

2019   Finalist - Olive Cotton Award

           Winner - Adelaide Fringe / BankSA Best Visual Art Award

           Winner - Fringe Weekly Award

           Finalist - West Torrens Art Prize

2018   Winner - Fringe Weekly Award

           Finalist – Emma Hack Art Prize

2017   Finalist – SALA - The City Rural Emerging Artist Award

2016   Finalist – Emma Hack Art Prize

2015   Finalist – One Day for Sight 

2012   Semifinalist – Moran Contemporary Photographic Prize

Mentorships

 2017  Guildhouse LimberUP! Mentorship with Roy Ananda

Talks

2019   SALA Festival PechaKucha Night

2018   A Way of Seeing is a Way of Not Seeing -  joint paper, ASMIRT, Canberra

 Publication

2021   Living Memory - National Photographic Portrait Prize, Karen Quinlan

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